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Claude-joseph Vernet
Night,A Port in Moonlight (mk43)
1772
Musee du louvre,
Paris
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Claude-joseph Vernet
View Outside Sorrento
mk60
1745/50
Oil on canvas
23 1/2x44"
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Claude-joseph Vernet
A Sporting Contest on the Tiber at Rome
mk170
1750
Oil on canvas
99.1x135.9cm
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Claude-joseph Vernet
The Wounded Trumpeter
1819
Oil on canvas,
53 x 64 cm
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Claude-joseph Vernet
the gypsy boy and girl
mk247
c.1850,oil on canvas,44.875x35 in,114x89 cm,private collection
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Claude-joseph Vernet
Claude Joseph - A Seastorm
99 ?? 137 cm Year 1752
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Claude-joseph Vernet
Claude Joseph - The Night
97.3 ?? 123.5 cm
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Claude-joseph Vernet
The Night
Medium Oil on canvas
Dimensions 97.3 X 123.5 cm
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Claude-joseph Vernet
Seaport by Moonlight
Medium Oil on canvas
Dimensions 98 x 164 cm
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Claude-joseph Vernet
Mountain Landscape with Approaching Storm
1775(1775)
Oil on canvas
164 x 262 cm
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Claude-joseph Vernet
Storm with a Shipwreck
Storm with a Shipwreck, 1754, Oil on canvas, 87 x 137 cm, Wallace Collection, London
cjr
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Claude-joseph Vernet
Vernet-bandol-detail
la pe - he au thon (dxtail), 1755, huile sur toile, 1,65 x 2,63 m
Musxee national de la Marine, nx5 OA 4D, dxpôt du Musxe de Louvre, inv. 8295
cjr
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Claude-joseph Vernet
Interieur du port de Marseille
Date 1754(1754)
Medium Oil on canvas
Dimensions 165 x 263 cm (65 x 103.5 in)
cjr
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Claude-joseph Vernet
Interieur du port de Marseille
1754(1754)
Medium Oil on canvas
Dimensions 165 x 263 cm (65 x 103.5 in)
cyf
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Claude-joseph Vernet
Les Baigneuses
1759(1759)
Medium : oil on cardboard
cjr
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| Claude-joseph Vernet
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French Painter, 1714-1789
Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.
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